August and Everything After [VINYL]

Product Information

double vinyl re-issue of Counting Crows classic, August and Everything After, originally released in 1993. We might be accustomed to the CD sound of the album as it was mastered as such, but thank God to Chad’s persistence of seeking out the releases with analog session tapes; what we have here is a new true analog jewel recording being pressed.

Fiedler’s performance of Offenbach’s Gaite Parisienne combines delightfully lyrical music with spectacular sonics to create an unforgettable listening experience. All image and audio content is used by permission of the copyright holders or their agents, and/or according to fair dealing as per the UK Copyright, Designs and Patents Act 1988.

Johnson at Skywalker Sound in Marin County, California, Break The Chain brings twelve new MacLeod originals. A real listening pleasure and great to hear after so many other disappointing re-presses by other artists. Certain items can take longer to source than the estimated week, particularly during busy trading periods and may take longer to arrive at our warehouse.

It is a bit more laid back from the CD/Digital versions I own, and a tad less low-end and top-end sparkle, but overall a great-sounding pressing. Due to inventory and accounting purposes, we do not exchange items received for different items than originally purchased. Their debut, August and Everything After, produced by T-Bone Burnett, was released later the same year and became an unexpected multi-platinum hit, partly as a result of the successful single “Mr. The album was produced by T Bone Burnett and featured the founding members of the band: Steve Bowman, David Bryson, Adam Duritz, Charlie Gillingham, and Matt Malley. The CD sounds cloudy with soft indistinct drums and no crack whatsoever to anything that should sound dynamic.Written on a remote farm in the United Kingdom’s countryside in 2019, the four-track, 18-minute suite was artfully composed so that each track flows without interruption from one song to the next. Their debut, August and Everything After, produced by T-Bone Burnett, was released later the same year and became an unexpected multi-platinum hit, partly as a result of the successful single “Mr. Co-produced by Zev Feldman and David Weiss, the audio was newly transferred from the original 1/4″ tape reels. In this release, his third album for Reference Recordings, Doug MacLeod continues to explore the breadth and depth of the human condition. Throughout its history, Mobile Fidelity has remained true to this goal, pioneering state-of-the-art technologies and setting audiophile standards that remain in place today.

Written on a remote farm in the United Kingdom’s countryside in 2019, the four-track, 18-minute suite was artfully composed so that each track flows without interruption from one song to the next. We were fortunate that this was recorded to analog in an age that had many digital recordings,” says Acoustic Sounds founder and CEO Chad Kassem, who describes August and Everything After as “one of the better albums in the entire ’90s,” with a timeless vibe and classic pop sound. The fabled acoustics of Boston’s Symphony Hall and the magnificent tonal hues of the Boston Pops are on full display on this fanciful and festive recording. I compared this double 45 with the old gold CD from Mobile Fidelity, which was far superior sounding to the original CD and boy did it suck compared to this. We will introduce you exclusively to Duologi finance products provided by Specialist Lending Ltd t/a Duologi through the Deko platform.

We’ve taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany’s Willem Makkee from the original analog tapes, and plating and 180-gram pressing by Quality Record Pressings. Blending the vocal athleticism of Van Morrison with the moody rock of The Band, the Counting Crows turned on a whole legion of fans turned off by modern rock. Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.